2011 Residency Schedule
Residency #143
OCTOBER 10 - 30
Application deadline: May 20, 2011
NICK FLYNN, poetry / memoir
Nick Flynn’s Another Bullshit Night in Suck City (Norton, 2004), won the PEN/Martha Albrand Award for the Art of the Memoir, and has been translated into thirteen languages. He is also the author of two books of poetry, Some Ether (Graywolf, 2000), which won the PEN/Joyce Osterweil Award, and Blind Huber (Graywolf, 2002). His newest book, a memoir entitled The Ticking is the Bomb: A Memoir of Bewilderment was recently released by Norton. He has been awarded fellowships from The Guggenheim Foundation, The Library of Congress, The Amy Lowell Trust, and The Fine Arts Work Center. Some of the venues his poems, essays and non-fiction have appeared in include The New Yorker, the Paris Review, National Public Radio’s “This American Life,” and The New York Times Book Review. He worked as a “field poet” and as an artistic collaborator on the film “Darwin’s Nightmare,” which was nominated for an Academy Award for best feature documentary in 2006. One semester a year, he teaches at the University of Houston and spends the rest of the year elsewhere.
Flynn grew up on Boston’s South Shore. He spent six years working in the Pine Street Inn, a Boston homeless shelter. In Another Bullshit Night in Suck City, Flynn recounts his tumultuous childhood and family life—with the uncanny trajectory that ultimately led his homeless father to seek shelter at the Pine Street Inn while Nick worked there. Poet Mark Doty opines, “Nick Flynn has given us one of the most terrifying families in American letters, though he approaches each character in this ferocious, inventive memoir with an almost radical sense of compassion, as if all that any of us could do were to stumble ahead with the burdens we are given. The result is a book so singular, harrowing and loving as to be indelible.” Another Bullshit Night joins the ranks of a small group of unforgettable late twentieth-century American memoirs, such as Mary Karr’s The Liars Club, Frank Conroy’s Stop-Time, and Tobias Wolff’s This Boy’s Life.
The Judges’ statement for the 1999 PEN/ Joyce Osterweil Award for Poetry declared, “Nick Flynn's subject—a mother's suicide, a son's peripatetic childhood—could not be more difficult to approach. If [his] poems stand ‘close to tragedy,’ as Flynn puts it, they also embody the act of survival: syntax and line conspire to pull us past the event, beyond the struggle. And yet the ghost of trauma lingers, ramifying beyond the exquisitely understated endings of Flynn's poems. Even more powerful than the final line of ‘My Mother Contemplating Her Gun’—‘Tomorrow it will still be there’—is the silence that follows it, the knowledge that nothing lasts. These poems establish their emotional authority through their very movement—their wayward, whispering music. At once reckless and demure, outrageous and delicate.. . . .“
RESIDENCY STATEMENT
I assume our time together at ACA will be a wildly generative, intermingled, hybrid and risky, an opportunity to be with a group of peers who are looking to push past thresholds, into the land of the as-yet-unsaid. I will start out steering this ship (SS Bewilderment) through the fog, and we shall name the islands we find ourselves scuttled upon (daily), as well as the flora, fauna, and unusual customs of said islands. As the days turn into weeks there will likely be a mutiny, and someone else will likely assume command. I will then spend the rest of the week below deck, studying the white space on our useless maps, wondering where it all went wrong.
APPLICATION REQUIREMENTS
Send ten pages of either a memoir, creative non-fiction, or poetry, along with a CV/resume. If selected, please bring oars, a compass, and collapsible cup.
For more information on the artist visit www.blueflowerarts.com |